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[Namm 2008] M-Audio Studiophile BX5a and BX8a Deluxe monitors

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  • [Namm 2008] M-Audio Studiophile BX5a and BX8a Deluxe monitors

    Updates to best-selling reference monitors deliver refined sound with a new design ANAHEIM, Calif., NAMM Convention, Booth #6700, January 17, 2008 — M-Audio, a leading provider of creative tools for musicians and a part of Avid Technology, Inc. (Nasdaq: AVID), today announced an update to the popular Studiophile™ BX5a and BX8a reference monitors. The M-Audio® Studiophile BX5a Deluxe and Studiophile BX8a Deluxe monitors feature new waveguides, enhanced driver integration and other advancements to deliver a cohesive and refined sound.

    The Studiophile BX5a and BX8a Deluxe monitors update the best-selling M-Audio BX5a and BX8a systems with a variety of enhancements. New waveguides deliver excellent imaging. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. A new low-frequency transducer in the BX5a Deluxe system adds extra definition to the bass response, while the BX8a Deluxe system features tight tuning to generate surprisingly large sound for its modest footprint. Elegant industrial design completes the packages.

    The Studiophile BX5a and BX8a Deluxe monitors feature 5” and 8” Kevlar low-frequency driver cones, respectively. Kevlar’s high mechanical and thermal resilience makes it ideal for speaker cones. These low-frequency drivers also employ a curved cone design, high-temperature voice coils and damped rubber surrounds that provide percussive musical bass. The Deluxe monitors also feature new waveguide-loaded high-frequency drivers with natural silk domes to deliver pristine top end that is gentle on the ears.

    The BX5a Deluxe monitors provide 70 watts of bi-amplified power, while the BX8a Deluxe monitors deliver 130 watts. The speaker designs also feature finely tuned crossovers and system electronics to ensure that both the high- and low-frequency drivers are asked to deliver the frequencies they are most effective at reproducing. This enables the systems to retain a smooth spectral balance. Magnetic shielding allows users to set up the monitors near other electronic equipment without fear of interference. The systems also have a power indicator and volume control.

    “The combination of accurate sound and premium components propelled the original Studiophile BX and BXa series monitors to quickly become best-sellers,” said Adam Castillo, marketing director at M-Audio. “Now the BX5a Deluxe and BX8a Deluxe systems deliver a new performance standard for compact and mid-sized reference monitors. The BX8a Deluxe delivers clear highs that don’t fatigue the ears, an integrated and well-defined mid range, and as much bass as many 2.1 systems. The BX5a Deluxe provides rich, detailed sound across the entire frequency spectrum, including defined bass that belies the monitor’s small footprint.”

    The Studiophile BX5a and BX8a Deluxe monitors are currently expected to ship in the first quarter of 2008 at MSRPs of USD $399.95 and $599.95 per pair, respectively.

    M-Audio Studiophile Monitors

    The initial release of the M-Audio Studiophile series defined a new price point for professional-quality reference monitors, and the BX5 monitors quickly became bestsellers. The Studiophile BX5a and BX8a upped the ante with Kevlar drivers, silk high-frequency drivers and other enhancements—and continued to outsell other monitors in their class. The BX Series Deluxe monitors improve upon this success with a variety of sonic and aesthetic enhancements.
    Soutenez Manu, le fondateur d'Audiokeys en achetant sur ... (ne me soutenez plus merci, ça vaut mieux). https://www.lol.fr

  • #2
    Merci Manu ça vaut quoi au fait les BX5A par rapport à des Yamaha HS50M ?

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    • #3
      Je me souviens que le clavier de David Bowie, Mike Garson utilise des BX8 pour son monitoring sur scène. Par contre in n'utilis pas leurs claviers!
      Faudra attendre des tests de ces nouveaux modèles, mais je ne sais pas ce que ça vaut en neutralité pour du mix?
      Yamaha CP4-Yamaha Montage 6-Roland Integra 7-Roland A800PRO-Yamaha Motif Rack ES-Kurzweil Micropiano-Roland MVS1-Oberheim Matrix 1000-Boss VF1-Roland AX7-Roland U20-Boss DR770 Roland MC50 MKII-Yamaha AW16G-PLG150 DR-PLG150-AKAI EWI 4000S Korg Wavedrum X Korg-Wavestation-SR-MOTU Timepiece AV-Mackie 1642 VLZ4 HAMMOND XK3C Arturia Minibrute

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      • #4
        Merci Manico pour ces infos

        Commentaire


        • #5
          Envoyé par fredmotif Voir le message
          Merci Manu ça vaut quoi au fait les BX5A par rapport à des Yamaha HS50M ?
          je préfères les yam

          j'ai réussi à faire saturer des BX5 avec les sons de l'oasys et question neutralité, c'est pas mal mais moins bon que yam.
          Soutenez Manu, le fondateur d'Audiokeys en achetant sur ... (ne me soutenez plus merci, ça vaut mieux). https://www.lol.fr

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          • #6
            Envoyé par tri_tonton Voir le message
            je préfères les yam

            j'ai réussi à faire saturer des BX5 avec les sons de l'oasys et question neutralité, c'est pas mal mais moins bon que yam.
            Merci Manu pour ces précisions à vrai dire je vais bientôt habiter dans un appart et mes TAPCO S8 seront trop encombrantes par rapport à la place dont je vais disposer :? aussi je pensais me tourner vers les HS50M d'où ma question. Je reste donc pour l'instant sur ce choix

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            • #7
              et tu as raison
              Soutenez Manu, le fondateur d'Audiokeys en achetant sur ... (ne me soutenez plus merci, ça vaut mieux). https://www.lol.fr

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